This photo taken in the Seronera region of the Serengeti, Tanzania. There was a pride of lions (2 lionesses and 5 cubs) who clearly appeared hungry and looking for prey. We followed them for a while and then this lioness scaled this big rock to get a panoramic view of the surroundings. Unfortunately for them there was no prey nearby but as we drove on we saw a huge herd of wildebeest further ahead. I’m sure the lions found them eventually. Photo taken with Olympus OM-D EM-5, Panasonic Lumix 35-100/f2.8
The next photo was taken shortly afterwords as she was descending the rock. Photo taken with Sony A6000 and Sony 55-210 lens.
Found and worked on a couple of interesting Angkor Wat photos lurking in Lightroom. The one above is actually an exposure blend of 3 photos. As always for any exposure blend, the challenge is to make sure that it still looks natural, with good contrast.
The photos below was taken in blazing heat during the middle of the day. Barely got the ladies to pose fir a moment or two before we fled to the shade! Used a flash for filling in the harsh shadows. Both these photos were taken with the Sony A7R and the 16-35 F/4 FE lens.
During our Easter trip to Phuket, I shot a lot of film. had taken one roll of Velvia 50 as well. While I really like Ektar and also Portra and Fuji Pro, there is something special about slide film as opposed to color negative film. True, there’s almost no exposure latitude. So if you’ve blown a highlight or your shadows are too dark, bye bye. But when you do get it right, it is just beautiful.
And there is simply no other film like Velvia. Yes, its not everyday stock. And just don’t try and capture people with it. For landscapes, it is like magic. Too saturated? Yes. A bit removed from reality? Yes. But nothing else can make something boring relatively interesting like Velvia can.
I woke up at 5am one morning when we were staying at Lorne along the Great Ocean Road. That was quite an effort for me in the middle of a family vacation with a lot of driving around. Grabbed the Sony A7R and the 16-35mm lens and walked down to the pier. I did not have a tripod but had a small Gorillapod. Woefully inadequate given the conditions – windy and not too many places where the pod could be positioned while giving an interesting viewpoint. Got this one semi-nice photo while the light was ok.
But then the light just got boring – no interesting colors, no interesting beams through the clouds. So, I just converted the photos to b&w and some abstract compositions. These photos are not much to talk about but I still keep them because I find the results kind of interesting and I remember the effort it took to wake up in the morning.
I really like black and white conversions for certain types of photos. The color photo above is straight from raw. It’s ok but rather bland. Given the leading lines and the strong contrast in the photo I decided to convert into b&w to see how it would look. The conversion was done in Lightroom using the standard tools. An important tool I have found, is to play around with the color blending in the B&W panel and moving the temperature and tint sliders in the Basic panel as well. This opens up some really interesting contrast possibilities.
As an added tweak, I reduced clarity for the photo and then brushed loosely along the path with a high clarity brush. Helps in drawing the eye through the frame. This photo was taken with the Sony A7R and Sony Zeiss 16-35 FE lens.
The Contax G2 has got to be my favourite camera. Small size, outstanding lenses and easy to use – what’s not to love?! Well, there are a couple of frustrating things but that’s for another day. In the end, despite these minor annoyances, it is my favourite camera.
The Velvia 100 is an underrated and under-appreciated slide film. Perhaps unfairly and almost definitely because all the attention goes to the Velvia 50. Some time back, I had a mix of Velvia 50 and 100 in my bag. I shot a roll with the Velvia 100 before moving to the 50. This was my first encounter with Velvia and I was surprised that when I got the scans back from the lab, I found it really hard to see any difference between the two! All these shots were taken in Bali, Indonesia.
The Zeiss 35mm f/2 ZM Biogon T*. This is small but not insubstantial lens for Leica M mount. I use this on my Sony A7R as well as my Leica M-P. And I love it. There is a perennial debate about this lens vs the Leica 35mm summicron. I’m not going to go into a technical debate here. Ken Rockwell and Steve Huff have written about this. Personally, for my needs, the Zeiss is all I want. I also have the Leica 35 1.4 Summilux, which is just sensational but the Zeiss comes really close for a tiny fraction of the cost. Very often, when I just want to carry one lens, I find myself reaching for the Zeiss for its light weight and sensational 3D pop, color and contrast. The Leica summilux scores on build quality, 1 stop advantage and the smoothness of out of focus transitions.
I love how the focus transitions on this image. And who wouldn’t love an Alpaca!
The sharpness and contrast on this image are so beautiful.
And finally, here is the Zeiss color! This Peruvian girl is making natural dyes.
This photo was taken way back in 2008 and remains one of my favourite photos ever. It was taken with a Canon 30D and EF-S 17-85 lens. In decent light, this remains a really good combination but of course the ISO capabilities are nowhere close to modern gear.
This photo was quite an accident. These were early days in my photography adventures and I was just pointing the camera and shooting. What really makes the photo for me is that 3 objects entered the scene creating a very interesting frame:
1. The bird on the lower left
2. The small bird on the top right
3. The even smaller plane on the top left
Ofcourse, I fully recognize that this photo is not composed very well (for instance, I would have liked some more breathing room on the right) and has other issues as well. But it still works for me, especially given that this was taken shortly after I had just picked up photography.
To my eyes – and I have not done any scientific tests to confirm it – the Sony A7R has the best dynamic range of any camera that I have used. While I loved my Canon 5d2 (sold) for its “will never fail me, no matter what the circumstance” character and still love the Olympus OM-D EM-5 for its versatility, none of them yield RAW files that have the same malleability. Combine this with the sharpness of the Leica 35 Summilux and you have a cracker of a walkabout combination. It’s light and has stunning resolution!
Take this photo for example. The amount of detail I managed to recover from the highlight and the amount I have been able to push the deep shadows is just incredible. This was a strongly backlight seen and all the faces were rendered in deep shadow. Yet, after some minor Lightroom work, the photo is nicely balanced, with great color and contrast and very little noise.
The Tonle Sap lake is a good excursion from Siem Reap. We went in late December 2014. I carried my Sony A7R as well as the Contax G2. The Contax was loaded with Kodak Portra 400, which I rated at ISO 100. Now, that’s a tip for any newbie to film. Overexpose by 2 stops or so because color film (not slide film!) as a lot of latitude in the highlights but very little in the shadows. So just overexpose and then pull back the shadows in Lightroom or similar software.
One fascinating attraction connected to the rivers that drain into the Tonle Sap is the Floating (or Flooded) Forest. These are flooded mangrove forests surrounding the cluster of Kompong Phluk villages. You visit them on small boats rowed by local villagers. These small boats are owned by separate families and is often their only source of income.